What Inference Can Be Made About Lady Capulet and Lady Montague From This Dialogue
William Shakespeare's play Romeo and Juliet contains a relatively distinctive bandage of characters. In addition to the play's eponymous protagonists, Romeo Montague and Juliet Capulet, the play, which is set in Verona, Italy, contains roles for members of their respective families and households; Prince Escalus, the city's ruler, and his kinsman, Count Paris; and diverse unaffiliated characters such as Friar Laurence and the Chorus. In add-on the play contains 2 ghost characters (Petruchio and Valentine) and an unseen character (Rosaline).
Business firm of Escalus [edit]
Prince Verona [edit]
Prince Verona, the Prince of Verona, is the drastic resolver of the feuding families. He is based on the actual Scaliger family which ruled Verona, perhaps on Bartolomeo I. Escalus is the voice of say-so in Verona. He appears merely three times within the text and only to administer justice post-obit major events in the feud between the Capulet and Montague families. He first punishes Capulet and Montague for the quarrel between Tybalt, Benvolio, and a scattering of servants. He returns also belatedly to finish the fatal brawls betwixt Tybalt and Mercutio and, subsequently, Tybalt and Romeo. Escalus is prepared to execute Romeo for his offence—Romeo'southward killing Tybalt—but lightens the judgement to lifetime adjournment from Verona, when Benvolio insists that Tybalt started the quarrel by murdering Mercutio, a kinsman to the prince. He yells at Lord Montague for engaging in the feud, which really is the root crusade which led to Romeo killing Tybalt. Prince Escalus returns in the final scene—Five.iii—post-obit the double suicide of Romeo and Juliet, and at last declares the Lords Montague and Capulet guilty of Romeo and Juliet's death, and angrily tells them that their totally useless feud resulted in the deaths of not only their own loved ones (Lady Montague, Romeo, Juliet, and Tybalt), but also in the deaths of Escalus' loved ones (Mercutio and Paris). He pardons Friar Lawrence for his role in Juliet'south death. He curses the feud that kills Romeo and Juliet but before the Lords come to peace with each other. In the end, Prince Escalus becomes very happy that the feud has finally ended, even if with a heavy cost.
In 1968, in Franco Zeffirelli's moving-picture show accommodation of the play, the part of the Prince was portrayed by Robert Stephens.
Count Paris [edit]
Frederic Leighton'due south 1850s painting depicting Count Paris (correct) seeing Juliet evidently dead
Count Paris is a kinsman of Prince Escalus and seeks to ally Juliet. He is described as handsome, somewhat self-absorbed, and very wealthy.
Paris makes his starting time appearance in Human action I, Scene 2, where he expresses his wish to make Juliet his wife and the mother of his children. Capulet demurs, citing his daughter's young age as a reason and telling him to await until she is more than mature. (Paris disagrees, yet.) All the same, Capulet invites Paris to nourish a family unit brawl being held that evening and grants permission to woo and attract Juliet. Afterward in the play, yet, Juliet refuses to go Paris' "blithesome helpmate" after her cousin Tybalt dies by her new husband Romeo'southward paw, proclaiming that she now wants zilch to exercise with Paris. Her parents threaten to disown her if she will not agree to the matrimony. Then, while at Laurence'due south jail cell at the church, Paris tries to woo her past repeatedly saying that she is his married woman and that they are to be married on Thursday. He kisses her and then leaves the prison cell, prompting Juliet to angrily threaten to kill herself with a knife. His final appearance in the play is in the cemetery where Juliet is "laid to rest" in the Capulet family tomb. Believing her to be dead, Count Paris has come to mourn her decease in solitude and privacy and sends his manservant abroad. He professes his dearest to Juliet, maxim he will nightly weep for her (Act V, Scene III). Shortly thereafter, Romeo arrives. Paris sees him and thinks he is trying to vandalise the tomb, so he tries to arrest him. They fight, and Romeo kills Paris. Romeo grants Paris' dying wish to exist placed side by side to Juliet in the tomb.
In 1968, in Franco Zeffirelli'southward film accommodation of the play, the part of Paris was portrayed by Roberto Bisacco.
Mercutio [edit]
Mercutio is the cousin of Prince Escalus and Count Paris, and is a close friend of Romeo and his cousin Benvolio. He supports and fights on the Montague side of the feud, and only like a Montague, hates the Capulet family. The invitation to the Capulet's party reveals that he has a brother named Valentine. Mercutio is apt to brand long, fatigued out speeches (the most famous of which is the Queen Mab speech), and is generally thought to exist reckless, a jester, and a gratis spirit. Due to his reckless and flamboyant personality, Mercutio is one of Shakespeare's most pop characters. Mercutio is the instigator of many fights with his rather hateful spirited sense of humour, and often insults Tybalt, a renowned swordsman. Information technology is Tybalt'southward temper that leads to Mercutio's death, and Romeo's banishment and the tragedy that follows.
Subsequently Romeo receives a death threat from Tybalt, Mercutio expects Romeo to appoint Tybalt in a duel. However, Romeo refuses to fight Tybalt, as Tybalt is Juliet'south cousin and therefore his kinsman. Non knowing this, Mercutio is incensed, and decides to fight Tybalt himself. Romeo, not wanting his all-time friend or his relative to get hurt, intervenes, causing Mercutio to be killed by Tybalt stabbing nether Romeo'southward arm.
Earlier he dies, Mercutio casts "a plague o' both your houses!" He makes i final pun before he dies: "Ask for me tomorrow, and you shall discover me a grave human". In revenge for the murder of his best friend, Romeo slays Tybalt, thus leading to Romeo's banishment from Verona and the increasingly tragic plough of events that follows.
In 1968, in Franco Zeffirelli's film adaptation of the play, the part of Mercutio was portrayed past John McEnery.
Page to Paris [edit]
Another page accompanies Paris to the Capulet's crypt when he goes to mourn Juliet. He stands baby-sit as Paris enters, ordered to "whistle then to me, / Every bit point that k hear'st something approach". When Romeo and Paris pause into a brawl, the page runs away to phone call the Watch. He returns with the Watch too tardily to stop the fray and later testifies to the Prince of Paris' intentions.
House of Capulet [edit]
The Capulet family (in Italian, "Capuleti") in the play was named after an actual political faction of the 13th century.[1] Notably, the Capulet family is often portrayed every bit the more than ambitious family, every bit much of the conflict is caused by them. They are also more adult, since more attention is given to their family life.
Lord Capulet [edit]
Frederic Leighton's 1854 watercolour The Reconciliation of the Montagues and Capulets
Lord Capulet is the patriarch of the Capulet family, the father of Juliet, and uncle of Tybalt. He is very wealthy. He is sometimes commanding but besides convivial, equally at the ball: when Tybalt tries to duel with Romeo, Capulet tries to calm him and then threatens to throw him out of the family if he does not control his temper; he does the same to his daughter later in the play.
Hang thee, young baggage! disobedient wretch!
I tell thee what: get thee to church o' Thursday,
Or never after look me in the face
And you exist mine, I'll give you lot to my friend;
And y'all be not, hang, beg, starve, dice in the streets!
Capulet's ultimatum to Juliet, Romeo and Juliet [2]
Capulet believes he knows what is best for Juliet. He says his consent to the marriage depends upon what she wants and tells Count Paris that if he wants to marry Juliet he should look a while so ask her. Later, even so, when Juliet is grieving over Romeo's deviation, Capulet thinks her sorrow is due to Tybalt'southward death, and in a misguided try to cheer her up, he wants to surprise her by arranging a marriage between her and Count Paris. The take hold of is that she has to be "ruled" by her father and to accept the proposal. When she refuses to go Paris' "joyful helpmate", proverb that she can "never be proud of what she hates", Capulet becomes furious; threatens to make her a street urchin; calls her a "hilding" , "unworthy", "young baggage", a "ill-behaved wretch", a "dark-green-sickness carrion", and "tallow-face"; and says God's giving Juliet to them was a "curse" and he now realizes he and his married woman had ane kid likewise many when Juliet was born (in the earlier poem The Tragic History of Romeus and Juliet). In addition to threatening to turn her out, he threatens to sentence her to rot away in prison if she does not obey her parents' orders. He and so storms abroad, and his wife likewise rejects Juliet earlier post-obit him. He fixes the twenty-four hour period of the union for Thursday and suddenly advances it to Midweek out of acrimony and impulse. His actions indicate that his daughter'southward wants were irrelevant all the way up to the point when he sees her unconscious on her bed (presumably dead) and later, when she is truly dead during the play's final scene. Information technology is he who asks Lord Montague for his hand to cease the feud betwixt their families.
In 1968, in Franco Zeffirelli's moving picture adaptation of the play, the part of Lord Capulet was portrayed past Paul Hardwick.
Lady Capulet [edit]
Lady Capulet and the Nurse persuade Juliet to marry Paris
Capulet'southward wife is the matriarch of the house of Capulet and Juliet's mother. She plays a larger role than Montague's wife, actualization in several scenes. In Act one, Scene 3, she speaks to Juliet near the marriage of her daughter and Paris, we run into this as she compares him to a book, and Juliet is the cover. Yet, in Scene four, she is pleased well-nigh Count Paris' "involvement" in her daughter. When Tybalt is killed in Act 3, she expresses extreme grief and a strong desire for revenge on Romeo by wishing death upon him. In Act 3, Scene 5, she becomes very aroused with Juliet for refusing to marry Paris and coldly rejects her, saying: "Talk not to me, for I'll non speak a word; practice every bit thou wilt, for I am washed with thee". By the last human activity, she is nearly overcome past the tragic events of the play, this is where the grief-stricken mother comes out.[3] Nosotros know Juliet'south mother bore her showtime child by the time she was fourteen, Juliet's age, and her husband is many years older than she. Calling her "Lady Capulet" is a later addition; it is an echo of Juliet's course of address in 3.v.65: "my lady mother".[4] In the first texts the stage management and speech headings can be "mother", "married woman", or even "old lady", but nowhere "Lady Capulet".[4]
In 1968, in Franco Zeffirelli'southward film adaptation of the play, the part of Lady Capulet was portrayed by Natasha Parry.
Juliet [edit]
Juliet Capulet, the female person protagonist, is the merely daughter of Capulet, the patriarch of the Capulet family. Every bit a child she was cared for by a nurse, who is now her confidante.
Juliet dies at the stop of the play, and the sacred lovers are reunited on the aforementioned deathbed. Both their families realize what they had done by trying to separate the star crossed lovers with the issue that the Capulets and Montagues are reunited and their fighting ends.
Tybalt [edit]
Tybalt is the son of Lady Capulet'due south blood brother and Juliet'south hot-headed starting time cousin. Every bit a skilled swordsman, he serves as the story's principal antagonist. Tybalt is angered past the insult of Romeo and Benvolio'southward uninvited presence at the ball in the Capulets' home. Tybalt shares the same name as the graphic symbol Tibert/Tybalt the "Prince of Cats" in Reynard the Fob, a point of both mockery and compliment to him in the play. While Mercutio repeatedly calls Tybalt "Prince of Cats" (referring to Tybalt'due south speed and agility with the sword), Mercutio is as well insulting Tybalt – the phrase refers non simply to Reynard but to the discussion cazzo (pr. CAT-so), an informal term for penis.
Tybalt is showtime seen coming to the aid of his servants who are being attacked past the Montagues' servants. He is also present at Capulet'south banquet in human activity one, scene five and is the first to recognize Romeo. His last appearance is in act 3 scene one, wherein Mercutio insults Tybalt and ends up fighting with him. Tybalt kills Mercutio and, in retaliation, Romeo rages and kills Tybalt, resulting in Romeo's adjournment.
In 1968, in Franco Zeffirelli'southward pic adaptation of the play, the office of Tybalt was portrayed by Michael York.
Nurse [edit]
The nurse is a major character in the play, and similar the Friar she is a neutral character. There has been speculation about her proper noun, as Capulet refers to as "Angelica", merely the line can be addressed to either the nurse or Lady Capulet. She is the personal servant (and sometime nurse) of Juliet's. As the primary person who raised Juliet, she is Juliet'south confidante and effectively more than of a mother to the girl than Lady Capulet. [5]
In 1968, in Franco Zeffirelli's film accommodation of the play, the function of the nurse was portrayed by Pat Heywood.
Peter [edit]
Peter is the personal retainer of the nurse. He appears to be a loyal servant, e'er quick to obey the nurse. He is chastised for not fighting Mercutio for the nurse's honour but insists that he "saw no man use you lot a pleasure; if I had, / my weapon should quickly have been out".[vi] He appears again in act 4, scene five in a brief comic relief scene with a number of musicians.
Gregory and Sampson [edit]
At the beginning of the play, Gregory and Sampson (right) quarrel with Abram and Balthazar.
Gregory and Sampson are the Capulet servants. Gregory is originally hesitant to start a fight. Sampson, however, bites his pollex at Abram, "Which is a disgrace to them, if they carry it". The Montagues then retaliate in hostage. Benvolio arrives to interruption up the fight but ends up fighting with Tybalt. Both Gregory and Sampson appear to exist friends of their main Tybalt'due south.[7]
In the opening scene, the two engage in a dialogue full of puns on "coal" and "eye", each intending to outdo the other and become each other ready to fight Montagues. The rhetorical form is called stychomythia, wherein characters participate in a brusque, quick exchanges of one-upmanship. Their discussion and ball in this scene ready the stage for the rivalry and hatred which fills the rest of the play.[7]
Anthony, Potpan, unnamed Servants [edit]
Anthony, Potpan, and two other servants to the Capulet family unit play out a short comic scene in act ane, scene five, arguing over the preparations for Capulet's feast. Capulet's servants are referenced again in act four, scene one; Capulet orders them to begin preparations for another party: the wedding ceremony of Juliet and Paris.
Servant to Capulet [edit]
The hapless servant attempting to detect the people named on a list he cannot read
A servant to Capulet is sent to deliver party invitations to a number of nobles and friends to Capulet. While walking, he comes upon Romeo and Benvolio and asks them to read the list for him, equally he cannot read. As a thanks, he invites the boys to "come up and vanquish a loving cup of wine," not realizing that they are Montagues. This character may take been intended to be the same as Peter, and is usually identified in scripts either as Peter or as a Clown.
Old Capulet [edit]
Erstwhile Capulet is Capulet's cousin. He appears as an elderly homo sitting with Capulet in the feast.
Business firm of Montague [edit]
The Montague family unit (in Italian, "Montecchi") was an bodily political faction of the 13th century.[ane] The Montagues are by and large portrayed equally the 'ameliorate' of the two families, equally they are not seen to exist provoking fights and are frequently found trying to avert fighting whenever they could, and occasionally plant trying to dissuade the fighters to render to peace.
Lord Montague [edit]
The father of Romeo. He has the same social status as Lord Capulet, with whom he is in feud, and is likewise extremely wealthy. Montague clearly loves his son deeply and at the beginning of the play, worries for him as he recounts to Benvolio his attempts to find out the source of his depression. He wishes Benvolio better luck. After Romeo kills Tybalt, Montague pleads with the Prince to spare him of execution every bit Romeo did merely what the constabulary would have done, since Tybalt killed Mercutio. He appears again at the cease of the play to mourn Romeo, having already lost his married woman to grief.
Lady Montague [edit]
Montague'south married woman, the dame of the house of Montague, and the mother of Romeo and aunt of Benvolio. She appears twice within the play: in act i, scene one she first restrains Montague from entering the quarrel himself, and afterwards speaks with Benvolio about the same quarrel. She returns with her married man and the Prince in act iii, scene one to encounter what the problem is, and is in that location informed of Romeo'south banishment. She dies of grief offstage soon later (mentioned in human action five). She is very protective of her son Romeo and is very happy when Benvolio tells her that Romeo was non involved in the ball that happened betwixt the Capulets and Montagues. However, Romeo doesn't feel very shut to her every bit he is unable to seek communication from her. As with Capulet'due south married woman, calling her "Lady Montague" is a later invention not supported past the earliest texts.
Romeo [edit]
An 1870 oil painting by Ford Madox Dark-brown depicting Romeo and Juliet'southward famous balustrade scene
In the beginning of the play, Romeo, the main protagonist, pines for an unrequited dear, Rosaline. To cheer him up, his cousin and friend Benvolio and Mercutio take him to the Capulets' celebration in disguise, where he meets and falls in love with the Capulets' but daughter, Juliet. Later that nighttime, he and Juliet meet secretly and pledge to marry, despite their families' long-standing feud. They marry the following twenty-four hours, simply their wedlock is soon thrown into chaos by their families; Juliet'southward cousin Tybalt duels and kills Romeo'south friend Mercutio, throwing Romeo into such a rage that he kills Tybalt, and the Prince of Verona later on banishes him. Meanwhile, Juliet's male parent plans to marry her off to Paris, a local aristocrat, within the next few days, threatening to turn her out on the streets if she doesn't follow through. Desperate, Juliet begs Romeo'south confidant, Friar Laurence, to help her to escape the forced marriage. Laurence does so by giving her a potion that puts her in a deathlike blackout. The plan works, but too presently for Romeo to learn of it; he genuinely believes Juliet to be dead, and so resolves to commit suicide, past drinking the bottle of poison (illegally bought from the Apothecary upon hearing the news of Juliet's "death"). Romeo's final words were "Thus with a kiss I die".[8] He kills himself at Juliet's grave, moments before she awakes; she kills herself in turn shortly thereafter.
Benvolio [edit]
Montague's nephew and Romeo's cousin. Benvolio and Romeo are both friends of Mercutio, a kinsman to Prince Escalus. Benvolio seems to have little sympathy with the feud, trying unsuccessfully to back down from a fight with Tybalt, and the duels that end in Mercutio and Tybalt'south expiry. Benvolio spends about of Act I attempting to distract his cousin from his infatuation with Rosaline, but post-obit the first appearance of Mercutio in I.iv, he and Mercutio become more closely aligned until III.i. In that scene, he drags the fatally wounded Mercutio offstage, before returning to inform Romeo of Mercutio's death and the Prince of the course of Mercutio's and Tybalt's deaths. Benvolio then disappears from the play (though, as a Montague, he may implicitly exist included in the phase direction in the last scene "Enter Lord Montague and others", and he is sometimes doubled with Balthasar). Though he ultimately disappears from the play without much notice, he is a crucial grapheme if only in that he is the just child of the new generation from either family to survive the play (as Romeo, Juliet, Paris, Mercutio, and Tybalt are expressionless).
Balthasar [edit]
A Montague servant that appears in the last act to inform Romeo of Juliet'southward death.
Abram [edit]
Abram is a servant of the Montague household. He appears in Human action one, Scene 1, where he and another servant (presumably Balthasar) are provoked into a fight with Gregory and Sampson when the latter bites his thumb at them.
Other characters [edit]
Friar Laurence [edit]
Friar Laurence plays the role of an advisor and mentor to Romeo, forth with aiding in major plot developments.
Alone, the innocent Friar gives us foreshadowing with his soliloquy nigh plants and their similarities to humans.[9] When Romeo requests that the Friar marry him to Juliet, he is shocked, because only days before, Romeo had been infatuated with Rosaline,[x] a adult female who did not return his honey. Nevertheless, Friar Lawrence decides to marry Romeo and Juliet in the attempt to terminate the civil feud between the Capulets and the Montagues.[11]
When Romeo is banished[12] and flees to Mantua for murdering Tybalt[xiii] (who had previously murdered Mercutio), he tries to help the two lovers get back together using a decease-emulating potion to fake Juliet'south expiry.[14] The Friar'due south letter to Romeo does not attain him because the people of Mantua doubtable the messenger came from a business firm where the plague reigns,[15] and the Friar is unable to arrive at the Capulet'south monument in time. Romeo kills Count Paris,[sixteen] whom he finds weeping near Juliet's corpse, then commits suicide,[17] by drinking poison that he bought from an impoverished apothecary,[xviii] over what he thinks is Juliet'due south dead trunk. Friar Lawrence arrives only as Juliet awakes from her chemically induced slumber.[xix] He urges Juliet not to be rash, and to join a society of nuns,[20] only he hears a noise from outside and then flees from the tomb. Juliet then kills herself with Romeo's dagger, completing the tragedy. The Friar is forced to return to the tomb, where he recounts the entire story to Prince Escalus, and all the Montagues and Capulets. As he finishes, the prince proclaims, "We have however known thee for a holy man".
Friar John [edit]
Friar John calls at the door of Friar Laurence's cell, "Holy Franciscan friar! brother, ho!" (5.2.i). Friar Laurence comes out and immediately asks about Romeo: "Welcome from Mantua! What says Romeo? / Or, if his mind be writ, give me his letter of the alphabet" (five.2.3–4). Friar John explains that he sought out another friar for company and found him in a house where he was visiting the ill, whereupon the health government, fearing there was pestilence in the house, bars both friars in the house then they wouldn't infect others. The authorities wouldn't even allow Friar John to apply a messenger to send the alphabetic character back to Friar Laurence.
Chorus [edit]
Woodcut of an histrion portraying the Chorus delivering the prologue for the play
A Chorus gives the opening prologue and ane other spoken communication, both in the form of a Shakespearean sonnet.
The Chorus is an omniscient graphic symbol. It appears at the height of the play to fill the audience in on the ancient quarrel betwixt the, "Two households, both alike in nobility / In fair Verona, where nosotros lay our scene". Information technology returns as a prologue to deed two to foreshadow the tragic turn of events about to befall the new romance between the title characters.
The Chorus merely appears in the Quarto versions, not in the Outset Page.
Apothecary [edit]
The Apothecary is a pharmacist in Mantua who reluctantly sells Romeo's poison, only because he is poor and in drastic need of money.
Watchmen [edit]
The Watch of Verona takes the form of three watchmen. The Beginning Lookout appears to be the constable, who orders the 2d and Third to "search nearly the churchyard!" Unusual for a Shakespearean lookout man grouping, they announced to be a relatively intelligent unit, managing to capture and detain Balthasar and Friar Laurence in the churchyard. They then show to the Prince to their role in the murder and suicide scene.
Musicians [edit]
Iii musicians for Juliet's wedding announced in act four, scene 5 in a brief comic scene, refusing to play a song chosen "Centre'due south ease" for Peter. They are referred to by the names of Simon Catling, Hugh Rebeck, and James Soundpost.[21]
Citizens of Verona [edit]
A number of citizens emerge during Act I, Scene I to intermission apart the fight between some Capulet and Montague servants. They announced again in Act Three, Scene I to find the slain body of Tybalt, at which indicate they place Benvolio under citizen'south arrest until the Prince's swift entrance.
Unseen and ghost characters [edit]
Petruchio [edit]
Petruchio is a guest at the Capulet banquet. He is notable only in that he is the only ghost character confirmed past Shakespeare to be present. When the party ends and Juliet inquires towards Romeo's identity, the Nurse attempts to avoid the subject past answering that Juliet is pointing at "the young Petruchio". Later, he is with Tybalt when he fatally wounds Mercutio, and a few scripts place a Capulet with ane line by that name. Petruchio is also the name of a major character in Shakespeare's before work, The Taming of the Shrew.
Rosaline [edit]
Rosaline is an unseen grapheme and niece of Capulet. Although silent, her part is of import: her lover, Romeo, first spots her cousin Juliet while trying to catch a glimpse of Rosaline at a Capulet gathering.
Before Juliet, Romeo was deeply intrigued with another adult female that didn't return his feelings. Scholars generally compare Romeo's curt-lived dear of Rosaline with his later love of Juliet. Rosaline means "fair rose". The poetry he writes for Rosaline is much weaker than that for Juliet. Scholars believe his early on experience with Rosaline prepares him for his human relationship with Juliet. Afterwards performances of Romeo and Juliet have painted different pictures of Romeo and Rosaline's relationship, with filmmakers experimenting by making Rosaline a more than visible character.
Valentine [edit]
Valentine is Mercutio's brother, briefly mentioned as a guest at the Capulet feast where Romeo and Juliet meet. He is a ghost graphic symbol with no speaking parts, and his only possible appearance is at the Capulet feast among the guests. "Valentine" has been taken to mean "lover" or "blood brother", and is associated with these attributes in several stories and histories. Scholars have pointed out that Valentine is more than strongly connected to a major character than other ghosts, equally he is given a direct connection to his blood brother. Although he has a very small function in Shakespeare'southward play, earlier versions of the story gave him no role or mention at all. In fact, they gave fifty-fifty Mercutio a very minor role. Shakespeare was the kickoff English language dramatist to use the proper noun "Valentine" on phase, in his earlier plays, Titus Andronicus and The Two Gentlemen of Verona. In Titus, Valentine plays a minor role, just in Ii Gentlemen, he is i of the championship characters. Incidentally, the Valentine of Ii Gentlemen borrows heavily from Arthur Brooke's Romeus in The Tragical History of Romeus and Juliet, which Shakespeare later on used to create Romeo and Juliet. Brooke's version made Mercutio a rival for Juliet's love. Shakespeare's improver of Valentine every bit Mercutio'south brother diffuses this rivalry. Thus, because the offset time we hear of Mercutio he is associated with Valentine, rather than Juliet, he is changed from a rival to a friend and brotherly figure of Romeo.[22]
References [edit]
- ^ a b Moore, Olin H. (July 1930). "The Origins of the Legend of Romeo and Juliet in Italy". Speculum. Medieval Academy of America. 5 (three): 264–277. doi:10.2307/2848744. JSTOR 2848744.
- ^ Act three Scene five
- ^ Halio, Jay. Romeo and Juliet. Westport: Greenwood Press, 1998. pg. 1 ISBN 0-313-30089-5
- ^ a b Meagher, John C. (2003). "Speech headings and stage directions". Pursuing Shakespeare'south dramaturgy: some contexts, resources, and strategies in his playmaking. Madison, New Bailiwick of jersey: Fairleigh Dickinson University Press. p. 81. ISBN0-8386-3993-three.
- ^ Bevington, David M. (2006). How to read a Shakespeare play. Wiley. ISBN9781405113953.
- ^ II.iv.157–158
- ^ a b Hager, Alan. Understanding Romeo and Juliet. Westport: Greenwood Press, 1999. pgs. 17–twenty. ISBN 0-313-29616-2
- ^ "The Complete Works of William Shakespeare – The Tragedy of Romeo and Juliet", Project Gutenberg
- ^ Shakespeare: Romeo and Juliet; 2.3.1–22
- ^ Shakespeare: Romeo and Juliet; 2.3.180–81
- ^ Shakespeare: Romeo and Juliet; 2.iii.26–31
- ^ Shakespeare: Romeo and Juliet; 3.1.188–99
- ^ Shakespeare: Romeo and Juliet; three.ane.87–93
- ^ Shakespeare: Romeo and Juliet'; 3.5.91–101
- ^ Shakespeare: Romeo and Juliet; 4.5.5–12
- ^ Shakespeare: Romeo and Juliet; 5.two.72–73
- ^ Shakespeare: Romeo and Juliet; 5.2.119–120
- ^ Shakespeare: Romeo and Juliet; 4.five.66–79
- ^ Shakespeare: Romeo and Juliet; 5.2.148–50
- ^ Shakespeare: Romeo and Juliet; five.2.156–160
- ^ Shakespeare: Romeo and Juliet; 4.5.125–129
- ^ Porter, Joseph A. "Mercutio'due south Brother." South Atlantic Review 49.iv (1984): 31–41.
Source: https://en.wikipedia.org/wiki/Characters_in_Romeo_and_Juliet
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